MAX OLOFSSON


Fake Painting

Taverna Brillo, Stockholm, Feb, 2019



View of the back from the front. (entering through the front doors, this view is the first thing you see of the exhibition).






(From the left)

Sayonara Tokyo Arcade, pigment print and acrylic on canvas, 97x65cm, 2019
Teeth Hurt from Sweet Research, pigment print and acrylic on canvas, 138x93cm, 2019






Sayonara Tokyo Arcade, pigment print and acrylic on canvas, 97x65cm, 2019






Teeth Hurt from Sweet Research, pigment print and acrylic on canvas, 138x93cm, 2019






(Detail) Teeth Hurt from Sweet Research, pigment print and acrylic on canvas, 138x93cm, 2019






(From the left)

Hot Siesta, pigment print and acrylic on canvas, 49x33cm, 2019
Caramel Toothache, pigment print and acrylic on canvas, 33x22cm, 2019
Three Hundred Thousand, pigment print and acrylic on canvas, 33x22cm, 2019






Hot Siesta, pigment print and acrylic on canvas, 49x33cm, 2019






(From the left)

Moonlight Lawn, pigment print and acrylic on canvas, 33x22cm, 2019
Loose Angles in Los Angeles, pigment print and acrylic on canvas, 49x33cm, 2019
A Beach Bed Dream of Atlantis, pigment print and acrylic on canvas, 49x33cm, 2019
The Cleverly Orchestrated Sabotage of a Self-playing Piano, pigment print and acrylic on canvas, 49x33cm, 2019
Flame Fumble by the Shit Salmon and Lonely Saxophone, pigment print and acrylic on canvas, 49x33cm, 2019






A Beach Bed Dream of Atlantis, pigment print and acrylic on canvas, 49x33cm, 2019






The Last Dance of All the Outlaw Children, pigment print and acrylic on canvas, 33x22cm, 2019